
In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016. In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions. Both investments generated considerable box office performance in Taiwan and China respectively. In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. Thank you Xavier Dolan! Waiting for more.In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. While watching Mommy I wasn't able to remember those moments in my life but I was able to make the connection because the performances and script were so realistic. I believe that is because in those moments I was so deeply immersed in conversation and laughter that my brain was incapable of creating a memory. I personally have a hard time remembering the moments in my life where I was truly happy. Something that really resonated with me was the scenes where the 3 main characters were laughing, dancing, enjoying life. There were several scenes that I related to. I went back and forth between laughter and tears throughout the entire movie. I've never been so deeply affected by a movie.

Antoine-Olivier Pilon was great, and Suzanne Clement was also top notch.

She is explosive in Mommy! I haven't written a review yet but her performance encouraged me to do so. HuggoĪnne Dorval is far and away the best actress I have had the pleasure to watch in the past couple years. Kyla may find that she needs the Després as much as they need her. Kyla is a high school teacher on sabbatical as she deals with her own emotional issues, which are manifested in stuttering whenever she feels incapable of dealing with her life. The second and more important is Kyla, who lives across the street with her husband Patrick and their adolescent daughter, they who are in transit in their life to wherever Patrick's job will take them. The first is Paul, a lawyer, who does have that sexual interest in Die as he tries to help Steve through his legal problems.

Their lives, both individually and as a family, are affected with the entrance of two of their neighbors. Despite they always yelling expletives at each other and Steve sometimes demonstrating those violent tendencies toward her, Die and Steve truly do love each other, his emotions which are sometimes manifested as an Oedipus complex especially as he seems to need her complete attention most specifically when it is being directed at possible male suitors. However, with this deinstitutionalization, she has to take care of him which means only being able to do home based work. She made this decision to deinstitutionalize him as she didn't like the alternative, sending him into more restrictive juvenile detention from which he would probably never be rehabilitated. He was just kicked out of the latest in a long line of facilities for setting fire to the cafeteria, in turn injuring another boy.

She institutionalized him shortly following her husband's death due to Steve's attention deficit hyperactivity disorder (ADHD) and his violent outbursts. That bread-winning ability is affected when she makes the decision to remove her only offspring, fifteen year old Steve Després, from her previously imposed institutionalization, one step below juvenile detention. Considered white trash by many, Die does whatever she needs, including strutting her body in front of male employers who will look, to make an honest living. Forty-six year old Diane Després - "Die" - has been widowed for three years.
